20.995 file audio bebas royalti untuk "Sheet Music Of Richard Wagner"

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Sonata No. 22 in F Major, Op. 54 - I. In tempo dun Menuetto by Daniel Veesey

Sonata No. 05 in C Minor, Op. 10 No. 1 - I. Allegro molto e con brio by Daniel Veesey

Sonata No. 1 in F Minor, Op. 2 No. 1 - III. Menuetto Allegretto by Daniel Veesey

Sonata No. 20 in G Major, Op. 49 No. 2 - II. Tempo di menuetto by Daniel Veesey

Sonata No. 1 in F Minor, Op. 2 No. 1 - IV. Prestissimo by Daniel Veesey

Sonata No. 11 in B Flat Major Op. 22 - I. Allegro con brio by Daniel Veesey

Sonata No. 07 in D Major, Op. 10 No. 3 - III. Menuetto Allegro by Daniel Veesey

Sonata 8, 'Pathetique' - II. Adagio cantabile by Daniel Veesey

Sonata No. 05 in C Minor, Op. 10 No. 1 - III. Finale Prestissimo by Daniel Veesey

Sonata No. 19 in G Minor, Op. 49 No. 1 - II. Rondo Allegro by Daniel Veesey

Sonata No. 22 in F Major, Op. 54 - II. Allegretto by Daniel Veesey

Sonata No. 07 in D Major, Op. 10 No. 3 - IV. Rondo Allegro by Daniel Veesey

Goldberg Variations, BWV. 988 - Aria by Aaron Dunn

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - I. Andante - Allegro - Tempo I by Daniel Veesey

Sonata No. 05 in C Minor, Op. 10 No. 1 - II. Adagio molto by Daniel Veesey

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - III. Adagio con espressione by Daniel Veesey

Sonata No. 31 in A flat Major, Op. 110 - I, moderato cantabile molto espressivo

Sonata 8, 'Pathetique' - I. Grave - Allegro di molto e con brio by Daniel Veesey

Sonata No. 11 in B Flat Major Op. 22 - II. Adagio con molta espressione by Daniel Veesey

Português: "UMA JURA QUE FIZ", composto por Ismael Silva. Gravação por Mário Reis em 1932.

Period (two phrases) in Haydn's Feldpartita.

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

The song Are you from Dixie? ('cause I'm from Dixie, too) by Billy Murray, 1916

Romance You have broken a flower ("Ты сорвала цветок"), sung by Andrey LabinskyТы сорвала цветок. Романс. Исполнитель-А.М. Лабинский

Samba "Agora é Cinza". Mario Reis (singer). 1933.

Intro of Bedrich Smetana's Libuše is official fanfare of the president

Unissued vocal test for Rudy Vallée, c. 1927

Robert Schumann: Kreisleriana, Op. 16.

Português: Choro "Aí, seu Pinguça", de Pixinguinha.

Inamorata melodie nuptiale for piano' 1913 by George De Cairos Rego (1858-1946) Inamorata [music] : melodie nuptiale for piano / by G. de Cairos-Rego[1], Nicholson & Co, (Please provide a date or year)

1905 recording of Harry Tally singing "Wait 'Till the Sun Shines, Nellie" accompanied by an orchestra (Victor 4551)

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Português: Maxixe "Cigana de Catumbi", composto por José Resende de Almeida. Gravado em 1925 pela Orquestra Cícero.

Title Lullaby wound up clock "Schlafe, mein Prinzchen, schlaf ein" Artist stephan Original mp3 data Length:1:25 minutes (1.95 MB) Format:MP3 Stereo 44kHz 192Kbps (CBR) User tags Baby, chiming, Crib, Cuddly Toy, Kids, Lullaby, Melody, romantic, Sleep, toy, winding, wound up clock Type Single Subject, Natural, Tone / Tune PDSounds record number 367 Comment cuddly toy wound up clock. This wound up clock looks like a fluffy cloth bunny and has a wire to pull to wind up the chiming melody. Usually hangs at the bedside of a baby crib. Melody ascribed to Friedrich Anton Fleischmann (1766-1798), cf. http://www.liederprojekt.org/lied27802.html

A ragtime composed by W. C. Handy and recorded by Handy's Orchestra of Memphis in 1917 in New York.

Čeština: Fig Leaf Rag - Scott Joplin, ragtime

Jenny Lind polka. Forms part of a group of field materials documenting John Selleck performing Anglo-American music on the fiddle on October 2, 1939, collected by Sidney Robertson Cowell in Camino, California.

Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.

Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909

Example of melodic minor from the opening of Vivaldi's Concerto grosso, RV 578, Op.3/2.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:39, 21 January 2017 (UTC)) styczeń 2017.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Livin' the Dream performed by Wild Blue Country of the United States Air Force Academy Band. Track 3 from Free Man (2011). Credits: Bass, Vocals – SMSgt Jerome Oddo* Drums, Vocals – TSgt Tim Stombaugh* Engineer [Sound] – MSgt Janusz Masztalerz* Guest [Guest Artist], Guitar – Mr. Brent Mason* Guitar, Vocals – MSgt Stephen Brannen* Other [Commander] – Colonel Larry H. Lang Steel Guitar – TSgt Jeff Valentine*[1][2][3]

The traditional Irish tune "Brian Boru's March", played by fifes and drums of the United States Marine Band for the album Sound Off!.

Entry of Polymnie from les Boreades